It’s a fairly simple formula, actually. Take a moment to think back to one of your most cherished travel experiences—something that goes back, say, more than five years. Close your eyes and let the images and feelings of that trip surround you. It’s a nice feeling, isn’t it? What were the images and feelings that came back to you first? What were the strongest among […]
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Interpretive Capital and the VE Cycle
How are you spending yours? I just spent a week working with interpreters at three different national historic sites in Alberta, and what a blast it was. Is there anything more energizing than workshopping programs with passionate, engaged people? I would like to share an insight I had while working through a script about the history of a particular discovery. We were at a point in […]
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Proofread Twice, Print Once
As an interpretive writer, I really enjoy reading panels and exhibits as I travel across the country for my work. Occasionally, of course, I spot something that makes the writer-editor in me really cringe. I really sympathize with writers whose errors end up in interpretive panels. It’s one thing to see your mistake online, and rush to correct it. It’s quite another to see your […]
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Do you need a new interpretive plan?
If you’re a manager at a park, historic site or other heritage attraction, I’m guessing you know where your old interpretive plans are. Almost every site has them, gathering dust in a cabinet or stacked up on a shelf like geological strata going back decades. Is it time to get a new one done? Here are a few things to consider. Two terrible reasons to commission a new interpretive […]
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Dear Don: I suck at themes. Help!
Don! I’m struggling with themes. I’m terrible at them. They’re awful. I need to get better. And I’m struggling with themes that have cropped up in other programs. They are still so fill-in-the-blank. I feel this is something myself and my team need to revisit. Some more specific case examples – what are your thoughts on “Ray are the “aliens” of our oceans”? It doesn’t have […]
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Branding Your Attraction: It Ain’t About The Logo
There’s no such thing as not having a brand. You have one, even as you read this. Branding is a vague and distasteful term. Particularly in the ecotourism and heritage sectors: nobody really wants to think of your cherished resource as a brand. So I’d like to establish what I mean by branding from the start: it isn’t your logo; it isn’t the look and […]
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Dear Don: Is theatre still interpretive if it has no storyline?
This week’s Dear Don question comes from my friend and colleague Caroline, who asks, “Have you ever seen great interpretive theatre that doesn’t have a strong narrative or plot?” I have been giving this one quite a bit of thought. All theatre is interpretive, of course, and some of the most powerful theatre I’ve ever seen had no narrative or plot that you could articulate in […]
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The World’s Worst Interpretive Themes
Writing great interpretive themes is not rocket science. Why do we make it so hard? In the world of interpretation, we refer to messages as themes. The word ‘theme’ has different connotations and meanings. Sometimes I wish we didn’t use the term at all; it’s confusing, and this is one area that we really need to get right. Let’s see what the dictionary has to […]
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2016 Interpretive Programs Announced!
Some time ago, I was asked to submit a selection of programs for the upcoming season. Here are the ones I didn’t submit. Bugs, Bogs and Browbeating Our wetlands are in trouble, and it’s all your fault! Naturalist Tabitha Smugge plays a wacky “Judge” who enumerates all the ways that you’ve ruined our watershed for generations to come. Rodentia: The Musical Little Douglas Squirrel has lost his […]
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The Interpretive Voice: Find Your Spirit Guide
Finding Your Voice… On A Graph This is part two of a series. You should probably start with part one, here. In trying to craft my own voice as an interpreter and interpretive writer, I often look to some of the great interpreters I have seen over the years. And one of the things these inspiring people have in common is that they speak with a […]
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